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WALTZES
Alice Blue Gown, In My Sweet
Little (Harry Tierney) Arr. Arthur Lange – 1919 – Flute, Bb Clarinet, 1st & 2nd
Bb Cornets, Trombone, 1st Violin, 2nd Violin, Viola (2007), Cello, Bass, Drums & Bells, Piano -
The classic waltz Alice Blue Gown was introduced in the 1919 Broadway show Irene.
Danube Waves Waltz
(Ion Ivanovici) – composed 1880 - Arranged by J. S. Seredy – 1913 – Flute, 1st Bb Clarinet, 1st Bb Cornet,
2nd Bb Cornet, Trombone, 1st Violin, 2nd Violin, Viola, Bass, Drums, Piano – The main melody is sometimes sung as, “Oh,
how we danced, on the night, we were wed.”
Delectation Delight
- Valse Hesitation (Walter Rolfe) - Arranged by R. E. Hildreth – 1914 – Flute, Oboe, 1st Clarinet in A, 2nd Clarinet
in A, Horns in F, 1st&2nd Cornets in A, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums, Piano
Dreamily Drifting
(Walter Rolfe) - Arranged by Rolfe – 1920 – Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet, Bassoon, Eb Alto Sax*,
Bb Tenor Sax*, C Tenor Sax*, Horns in F, 1st & 2nd Bb Cornets, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums,
Piano – Parts with an asterisk are substitutes for the Cello part.
I Want You (Waltz)
(Victor Herbert) - Arranged by Harold Sanford – 1919 – Flute, 1st Bb Clarinet, Eb Alto Sax, 1st Bb Trumpet, 2nd
Bb Trumpet, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums, Piano
Irish Waltzes –
Mother Machree & When Irish Eyes Are Smiling (Chauncy Olcott & Ernest R. Ball) - Arranged by W. C. O’Hare –
1914 – Flute, 1st Bb Clarinet, 2nd Bb Clarinet, Bassoon, F Horns, Cornets in A, Trombone, 1st Violin, 2nd Violin, Viola,
Cello, Bass, Drums, Piano
Ludora Waltzes by Daniel S. Godfrey – 1896 – Flute, 1st Clarinet
in A, 1st Cornet in A, 2nd Cornet in A, Trombone, 1st Violin, 2nd Violin, Viola, Bass, Drums, Piano - Daniel Godfrey (1831-1903)
was one of the famous family of English military and brass band musicians whose work and influence extended over more than
a century. His waltz compositions including: Ludora, Guards, Hilda, and Mabel.
Marguerite Waltz – Charles Gounod: Arr. Harry Prendiville – 1913 – Flute,
Oboe, 1st Clarinet in A, 2nd Clarinet in A, Bassoon, Horns in F, 1st Cornet in A, 2nd Cornet in A, Trombone,
1st Violin, 2nd Violin, Viola, Cello, Bass, Drums , Organ/Conductor
Norma Waltzes (Ernst
Luz) – 1917 – Flute, 1st Bb Clarinet, 1st Bb Cornet, 2nd Bb Cornet, Trombone, 1st Violin, 2nd Violin, Viola, Cello,
Bass, Drums , Organ & Harp, Piano – Luz, a silent film composer, dedicated these lengthly series of waltzes to his
favorite silent film actress, Norma Talmadge. (Norma's picture above)
Over The Waves – Juventino Rosas: Arr. Robert Recker – 1914 –
Flute, 1st Clarinet in A, 1st Cornet in A, 2nd Cornet in A, Trombone, 1st Violin, 2nd Violin, Viola,
Cello, Bass, Drums , Piano - From the pen of Mexico's most famous young composer of the 19th century. (Rosas picture below)
Reverie Waltz (Emil
Waldteufel) – 1886 – Flute, 1st Bb Clarinet, 1st Cornet in A, 2nd Cornet in A, Trombone, 1st Violin, 2nd Violin,
Viola, Cello, Bass, Drums & Tympani, Piano - - Waldteufel's picture below:
Roses From The South –
Johann Strauss, Jr.: Arr. Robert Recker – 1914 – Flute, 1st Clarinet in Bb, 1st Cornet in
Bb, 2nd Cornet in Bb, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums , Piano
Skaters Waltz, The
(Emil Waldteufel) – composed late 1800s - Arranged by R. E. Hildreth – 1909 – Flute, 1st Clarinet in A,
1st Cornet in A, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums, Piano
Slumberland Waltz
(Jesse Winne) - Arranged by Charles N. Grant – 1920 – Flute, 1st Bb Clarinet, 1st Bb Trumpet, 2nd Bb Trumpet,
Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums, Piano
Three O'Clock In The Morning (Robledo & Terriss), Arr. Frank E. Barry 1921
– Flute, 1st Clarinet in A, Eb Alto Sax, Bb Tenor Sax, Horns in F, 1st Cornet in A, 2nd Cornet
in A, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums, Piano (Accompaniment with melody cues, and lyrics),
Opt. Vocal, Key of D - Contains the "Chime" effect used in Paul Whiteman's famous recording.
Wine, Women, And Song – Johann Strauss, Jr.: Arr. Robert Recker –
1914 – Flute, 1st Clarinet in Bb, 1st Cornet in Bb, 2nd Cornet in Bb, Trombone, 1st Violin,
2nd Violin, Viola, Cello, Bass, Drums , Piano (Johann's picture below)
Black And Tan Polka (Caroline Lowthian) – 1886 - Flute or Piccolo,
1st Bb Clarinet, 1st Bb Cornet, 2nd Bb Cornet, Trombone, 1st Violin, 2nd Violin, Viola, *, Bass, Drums, Piano (Taken from
solo piano part), *the Cello could play the Trombone part.
Champagne Polka (Reinhold Ehrke) - Arranged by Alfred Roth –
1905 – Flute, 1st Bb Clarinet, 1st Bb Cornet, 2nd Bb Cornet, Trombone, 1st Violin, 2nd Violin, Cello, Bass, Drums&Bells,
Piano
I-Tipferl Polka (Johann Strauss) - Arranged by Alfred Roth –
1902 – Flute, Oboe, 1st Clarinet in A, 2nd Clarinet in A, Bassoon, Horns in F, 1st Cornet in A, 2nd Cornet in A, Trombone,
1st Violin, 2nd Violin, Viola, Cello, Bass, Drums, Bells
Marion Polka (L. W. Hardy) – 1892 – Piccolo, 1st Clarinet
in A, 1st Cornet in A, 2nd Cornet in A, Trombone, 1st Violin, 2nd Violin, Viola, Bass, Drums, Piano
Nadjy Polka
by Moses-Tobani – 1888 – Flute, 1st Clarinet in A, 1st Cornet in A, 2nd Cornet in A, Trombone, 1st Violin, 2nd
Violin, Viola, Bass, Drums, Piano - Moses - Tobani composed many instrumentals such as this “Nadjy Polka”. His
most famous tune was Hearts And Flowers, the melodramatic “weepy” melody used to accompany many silent films.
Pizzicato
Polka (Johann Strauss) - Arr. R. E. Hildreth – 1911 – Flute, Oboe, 1st Bb Clarinet, 2nd Bb Clarinet,
Bassoon, Eb Alto Sax, Bb Tenor Sax, Horns in F, 1st Bb Cornet, 2nd Bb Cornet, Trombone, 1st Violin, 2nd Violin, Viola,
Cello, Bass, Drums, Piano
Stephanie Polka (Philipp Fahrbach) – 1885 - Flute &
Piccolo, 1st Clarinet in A, 1st & 2nd Cornets in A, Trombone, 1st Violin, 2nd Violin, Viola, Cello & Bass, Drums,
Piano - Philipp Fahrbach led his own dance orchestra in Vienna at the same time as Johann Strauss and, like Strauss, was very
popular.
Alhambra (Spanish One-Step) by George L. Cobb – 1919 – Flute, Oboe, 1st Clarinet,
in A, 2nd Clarinet in A, Bassoon, Eb Alto Sax*, Bb Tenor Sax*, C Tenor Sax*, Horns in F, 1st&2nd Cornets in A, Trombone,
1st Violin, 2nd Violin, Viola, Cello, Bass, Drums, Piano (*Sax parts double the cello part) - Besides the instrumental tune
“Alhambra” George L. Cobb (1886-1942) wrote the songs “Are You From Dixie?”(1915), “All Aboard
For Dixieland” (1913) and “Alabama Jubilee” (1915). Cobb also wrote the instrumentals “Aggravatin’
Rag” (1910) and “Russian Rag” (1918).
All Hands Around (Barn Dance) - Arr. Harry L. Alford - 1908 - Flute&Piccolo, 1st
Clarinet in A, 1st Cornet in A, 2nd Cornet in A, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Piano - A happy
melody by the composer of "Let Me Call You Sweetheart" & "Meet Me Tonight in Dreamland. -- Listen to Midi File
Nadia (Mazurka) by Paul Wachs - Arranged by A. E. J. – 1899 – Flute,
1st Clarinet in A, 1st Cornet in A, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums&Bells, Piano - Paul Wachs
(1851-1915) was a French pianist and composer who studied with César Franck and Victor Massé in Paris. He is best known for
his attractive salon pieces for the piano. The mazurka “Nadia”, arranged for the salon orchestra, is an example
of one of these pieces.
One Heart, One Soul (Polka Mazurka) by Johann Strauss, Jr. – 1885
– Flute, 1st Clarinet in C, 1st & 2nd Bb Cornets, Trombone, 1st Violin, 2nd Violin, Viola, Cello & Bass, Drums,
Piano - Johann Strauss Jr. (1825-1899) was known as “The Waltz King” but he also wrote many other fine examples
of light music. The Polka Mazurka “One Heart, One Soul” is an example of this genre.
Squirrel, The (Mazurka) by Richard Eilenberg - Arranged by J. C. Arnold –
1901 – Flute, 1st Bb Clarinet, 1st Bb Cornet, 2nd Bb Cornet, Trombone, 1st Violin, 2nd Violin, Viola, Cello, Bass, Drums,
Piano - Richard Eilenberg (1848-1925) was an Austrian composer who was active in the late 1800s and early 1900s. He wrote
gallops, cakewalks, mazurkas, and other salon music. >
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